2006 ›Mensch - Person - Gemeinschaft - Individuum - Kultur - Kommunikation - Erkenntnis - Identität - Authentizität‹ (Human being - Person - Community - Individual - Culture - Communication - Cognition - Identity - Authenticity), Published contribution on axioms concerning the meanings and interrelations on definitions concerning human being and society using etymological references; ›Bastard - Choose My Identity‹, Actar, Barcelona/Spain
2006 ›Globalisierte Kultur und Konsumidentitäten‹ (Globalized Culture, Consumption and Identity), Published contribution on rituals of selfidentification in modern society and cultures and the irerelation with economic globalization; Global Marshall Plan Initiative; ›Bastard - Choose My Identity‹, Actar, Barcelona/Spain
2006 ›Erweiterte Erkenntnisfähigkeit durch kulturelle Kontextualisierung‹ (Extended Cognitive Ability through Cultural Contextualisation), Published contribution on on the value and power of aesthetic interventions to influence processes; Universität Augsburg (Augsburg University)
2005 ›Erweiterte Erkenntnisfähigkeit durch kulturelle Kontextualisierung - Der Künstler als Coach und Consultant in Unternehmen - Kriterien und Ansätze einer kritisch-ästhetischen Praxis‹ (Extended Cognitive Ability through Cultural Contextualisation - The Artist as Coach and Consultant in Corporations - Criteria and Dispositions of a Critical-Aesthetic Practice), Published contribution on on the value and power of aesthetic interventions to influence processes; ›Raffinierter Überleben - Strategien in Kunst und Wirtschaft‹ (Sophisticated Survival Techniques - Strategies in Art and Economy), Kadmos Kulturverlag, Berlin
2004 ›Objekt Subjekt Prädikat‹ (Object Subject Praedicate), Published contribution (the title refers to the different attributions to artistic work, the item, its relation to the author and its social function) on Systemic Art and Critical Aesthetics; ›Künstlerische Bildung nach Pisa‹, Athena-Verlag Oberhausen
2003/2004 ›Vom Handwerker zum Mythenerzähler zum Kritiker‹ (From Craftsmen to Story-teller to Critic), Discussion (5) in a series of public letters on the differences and mutations of the artist role and image in society. Made public in an art calender magazine in an attempt to broaden the reception and discussion; Sonnendeck Kunstnotizen
2003 ›Was ist Transferkunst? - ein Terminus für transdiziplinäres, künstlerisches Arbeiten‹ (What is Transfer Art? - A Term for a Transdisciplinary Type of Artistic Work) Publication (4) on the definition of Transfer Art and the implications on working as an artist in an systemic approach, concerned of social subsystems and political criteria; JUNI kunst zeit schrift
2003 ›Explorative Recherche als künstlerische Methode‹ (Explorative Investigation as an Artistic Method), Article for the university magazine on the teaching project for the art and design section of the department ›Kunst/Kunst- und Designwissenschaften - Skulptur/Raum‹ (Art/Art- and Design Sciences - Sculpture/Space) at Hochschule für Gestaltung, Technik und Wirtschaft Pforzheim (Pforzheim University of Applied Sciences)
2003 ›TRANSFER: Kunst Wirtschaft Wissenschaft‹ (TRANSFER: Art Economy Science), Publication (4) on the possibilities, weaknesses and threats of art as a medium of interaction between the social subsystems art, science and economy. ›Transferkunst‹, ›Funktionen und Freiheiten der bildenden Kunst‹, ›Glossar n‹; [sic!] - Verlag für kritische Ästhetik, Baden-Baden see also www.transferkunst.de
2002 ›Bemerkung zu Berg/annotation on mountain‹, Catalogue article accompanying the interventionistic performance work in the exhibition; Heidelberger Kunstverein (Heidelberg Art Association), Kehrer-Verlag, Heidelberg
2002 ›Positionen für ein erweitertes kulturgesellschaftliches Selbstverständnis und dessen Praxis für das Künstlerhaus Stuttgart‹, Programme and draft on a new and adequate role for an artist residency and workshop institution written as a part of an application for a curatorial position and published as independent text
2002 ›Landschaft, idealtypisch‹, ›Bemerkung zu Berg‹, Set of postcards published accompanying the exhibition; Heidelberger Kunstverein (Heidelberg Art Association)
2002 ›intercultural codes‹ Draft paper on a topic oriented cooperative research and teaching project for the art and design section of the department ›Kunst/Kunst- und Designwissenschaften - Skulptur/Raum‹ (Art/Art- and Design Sciences - Sculpture/Space) at Hochschule für Gestaltung, Technik und Wirtschaft Pforzheim (Pforzheim University of Applied Sciences) dealing with the different phenomena and judgements of ›Exotic‹
2001 ›Substruktur einer idealtypischen Welt/substructure of an idealtypical world‹, Catalogue text accompanying the exhibition; Galerie peripherie, Tübingen
1999-2000 Text based works and articles e.g. ›nonvisual‹, ›reinfiltrating privacy‹
1999 ›Die Akademie ist keine Akademie‹ (The Academy is not an Academy), A publication on CD-ROM containing audio, video footage and texts compiling and associating the main aspects and quotes of a colloquium on the different positions on and the current situation of artists in society compared to the traditional ways of study and education at art academies; [sic!] - Verlag für kritische Ästhetik Baden-Baden
1998 ›Scrapbook 1995-1998‹ a selection of text fragments and drafts noted during the ongoing works and research - making a private notebook public; limited edition, New York City
1997 ›short essays and narrative fragments‹ a selection of texts concerning aesthetic ideas and thoughts as well as short narrative parts of real and fictious occurences; limited edition, New York City
1996 ›(DAS...) Nr.2‹, Co-author of the collaborative publication, class of Joseph Kosuth, Staatliche Akademie der Bildenden Künste Stuttgart (State Academy of Fine Arts and Design Stuttgart)
1994 ›Central Park 1 AM‹ video and narrative text of several visits in Central Park, New York City, limited edition, New York City
1994 ›axioms‹, ›collaborative strategies‹, ›vanity‹ etc. scripts, essays and collections
1994 ›Illustrationen zur Kunst‹ (Illustrations on Art) sampled cynical statements on art, artists and the art market, limited edition, New York City
1991-1992 investigations and researches on several topics e.g. ›Flucht ist Volkssport‹ creating collections of diverse media
1991 ›book - an object oriented definition of an infrastructure‹ thoughts and experiment on books as a media, limited edition, New York City
1991 ›Improvisation‹, Text based research on the self-organisational aspects of improvisation, limited edition, New York City
(0 within artrelated, 4 with K. Heid, 5 with T. Volkwein, 6 as Gesellschaft für kritische Ästhetik)
